I’m interested in images that interrupt momentum.

I find the version of it you remember. I’ve been at it since I was eight, and a lifetime later the same eye goes into everything: the light, the lens, the underwater rig. None of it is separate; it’s all in service of the frame. Art Center for photography and film, and years working with stills luminaries like Peter Lindbergh. West Hollywood and Colorado, and happiest wherever the diving is good.